Testimonials - HireWL

We really value our relationship with White Light’s hire team. Having worked with Stuart Porter and Jedd Hamilton for many years, they understand our needs. The team is always accommodating, whether we need to adjust, swap, or add more equipment during tech weeks. The speed of response from WL is invaluable; it means we can make creative changes quickly, ensuring that designers get exactly what they need.

Having worked with WL on numerous occasions, we knew we could rely on their extensive experience in theatre lighting and their adaptability. Their work across various genres made them the perfect partner for this project.

...I’d also like to say thanks to the team at WL who continue to support this show after thirty years and always work incredibly hard to provide something that fulfils our budgetary, artistic and logistical needs. They truly understand the show and what it needs, and that long-standing relationship is greatly valued.

I’m incredibly proud of what the creative and production teams have achieved on Dr Strangelove. I’d also like to say a huge thank you to the Hire Team at WL for their support throughout

It’s been a fantastic experience working as Associate on a show as ambitious and exciting as Burlesque. A huge thanks also needs to be given to the WL team for their continued support throughout the process

For Kiss Me, Kate, I’d like to acknowledge the great work of Lighting Programmer Nick Simmons, Production Electrician Pete Lambert and the Barbican Lighting Team, UK Associate LD Hector Murray and Associate LD Karen Spahn. I’m very proud of the work we were all able to put onstage, due in no small part to the stellar support we received from Andy Cullen and the WL team. They went above and beyond to deliver the tools we needed despite the limited budget and fast- track nature of the project. They also stood right behind us as the design evolved and changes to the rig were required during the technical rehearsal and preview period – something we greatly appreciated.